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Nic Taylor Samyang Lenses Nic is a commercial photographer based in the North West of England but frequently travels throughout the UK photographing various projects. He specialises in photographing food, drinks and interiors and has worked with some large brands including Foot Locker, Drobo, Paul UK, La Tasca and Wildwood restaurants to name a few. |
Reinold Aryee Samyang Lenses Reinold Aryee is a freelance photographer based in London With a focus on composition and perspective, he always looks to create an image rather than just taking a picture. Reinold has worked with a variety of different brands ranging from Moss Bros, Base London Shoes, Duke & Dexter, Rathfinny, EyeEm, Google and the European Parliament to name a few. |
Dibs McCallum Slik Tripods Dibs is a Norfolk photographer documenting the landscape, architecture, decay and history of locatio He likes to challenge people’s perceptions of decaying objects and how they co-exist on the land. He is conscious of the environment and surroundings. Enhancing these environments with different camera techniques. |
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Brian Lloyd Hoya Filters & Velbon Tripods Brian is an automotive photographer based in North West UK. I specialise in automotive events throughout the UK and Europe. Whether it be trackside at Goodwood Festival of Speed, the live action arena at Autosport International or the halls of the London Motor Show you will find me covering all the major events around the UK. |
Dave Zdanowicz Hoya Filters Dave is a landscape and product photographer from Bradford, Yorkshire. He is the author of "Yorkshire in Photographs", “More Yorkshire in Photographs” and is currently working on his third book “Yorkshire Revealed”, which will be released in September 2019 and is a collaboration with his dad Paul and includes a foreword by Sarah Willingham (Dragons Den). |
Richard Fox Sirui Tripods Richard started photographing landscapes in 2012 when he decided to purchase of a full frame DSLR camera. My drive to take better images started here. I thought, like many, that getting a professional camera would make me a better photographer – it didn’t! I was determined to improve and produce images to the standard I had seen from fellow photographers – the quest (and addiction) started.
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